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Digitale Kunst: 4 Text passages
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1.  Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life»[9] And so it was only logical that Joseph Beuys communicated his ideas on «social sculpture» by directly addressing the viewers of German television's first satellite broadcast on the occasion of the opening of the documenta 6 in 1977, rather than perform an art action on the air. [more]  |
| 2. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» and artists can document their updated concepts by posting photographs on a project website. While Joseph Beuys propagated the theory that everyone can make art, the postmodern variant proposes something along the lines of «now you [more] |
| 3. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» Joseph Beuys is perhaps the best post-1960s example of an artist whose work changed society. Rather than adopting a perception of art that [more] |
| 4. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» [21] For example, Schum sold the edition of Joseph Beuys' «Filz-TV,» which was limited to six copies, for DM 9800, while all limited video pieces were also part of the «Identifications» unlimited edition and cost only DM 1500 and could be rented for DM 300. Later a standard of approx. DM 1000 was set for museum purchases of an unlimited edition, with no associated lending rights. [more] |
