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video: 5 Text passages

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1. Dieter Daniels «Media → Art / Art → Media Forerunners of media art in the first half of the twentieth century»
of mass media. Examples extend from William Burroughs' literary cut-up via Nam June Paik's remix of TV images to Dara Birnbaum's systematic analysis of TV semiotics and to the representation of how the Internet is subtly commercializing our language [more]

2. Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
parallel in relation to the mass media. * Analytical deconstruction of the mass medium using the resources of art (Dan Graham, Dara Birnbaum, Klaus vom Bruch, Marcel Odenbach). * An approach to television that abandons the exclusivity of artistic purism to some [more]

3. Inke Arns «Social Technologies Deconstruction, subversion, and the utopia of democratic communication»
will present. Media artists deconstruct the mass medium of television analytically using the resources of art (Dan Graham, Dara Birnbaum, Klaus vom Bruch, Marcel Odenbach).[4] They also use subversive strategies by occupying niches in the expanding media landscape [more]

4. Inke Arns «Social Technologies Deconstruction, subversion, and the utopia of democratic communication»
most important of the ‹post-utopian› strategies listed. One typical exponent of deconstructive media analysis is Dara Birnbaum, who subjected television as a style to a very precise examination from 1977 to 1980. The psychological and cultural [more]

5. Rudolf Frieling «Form Follows Format Tensions, Museums, Media Technology, and Media Art»
that tended to be more critical, like those adopted by Marcel Odenbach, Klaus vom Bruch, or Dara Birnbaum, did benefit from the wave of popularity but were not able to strike out in any specifically new directions. Video had changed [more]