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1. icon: author Tom Holert «Deserts of the Political - Michelangelo Antonioni, Robert Smithson and Michael Snow»
degré zero, which is perfected in the center of the postwar modern era in the works of Roland Barthes, Samuel Beckett, John Cage, Andy Warhol, J.G. Ballard, and many others. Smithson is hardly tortured by fears of loss. In two texts from the period around [more]more
2. icon: author Ivone Margulies «Toward a Corporeal Cinema: Theatricality in the \'70s»
given through a multiple input of issues, shapes, gestures, and media, divides one's attention. The Fluxus group's and John Cage's performances, Allan Kaprow's happenings, and New American dance (Yvonne Rainer, Simone Forti, Lucinda Childs, Merce [more]more
3. icon: author John Miller «No More Boring Art»
said she loved all kinds of painting, just so long as it was paint on a surface. Similarly, Baldessari says—in line with John Cage—that anywhere you point the camera is a composition. The [more]more