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1. icon: author Heike Helfert «Technological Constructions of Space-Time Aspects of Perception»
human perception by means of technical apparatuses. The video image offers thereby significant possibilities of manipulation. Peter Campus stages in «Three Transitions» (1973–1977) situations of perception that are impossible in reality. By taking [more]more
2. icon: author Inke Arns «Interaction, Participation, Networking: Art and Telecommunication»
came into their own concurrent with the transition from happenings to performance in the 1970s. Artists like Dan Graham, Peter Campus and Peter Weibel used closed-circuit installations to confront spectators with their own mediated image, while in Bruce [more]more