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1.  Yvonne Volkart «Monstrous Bodies: The Disarranged Gender Body as an Arena for Monstrous Subject Relations»monsters, who in turn stand for the monstrous of new technologies and economies. This fantasy also turns up explicitly in Chris Cunningham's music clip «Come to Daddy» (1997), in which a television gives birth to a monster. As Doane's argumentation [more]  |
| 2. Marie-Luise Angerer «Postsexual Bodies. The Making of ... Desire, Digital» to distinguish realities. What is real, and what is virtual? Who is a machine, and who is human? It is not by chance that Chris Cunningham's videoclip for Björks song «All is full of love » (1999) focuses on a cyborg whose loneliness and need for [more] |
