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Cybernetic Serendipity (1968): 5 Text passages

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1. Rudolf Frieling «Reality/Mediality Hybrid Processes Between Art and Life»
for investigating possible cooperation between artists and engineers was originating in the USA under the name of «Experimentsin Art and Technology» (E.A.T.). Billy Klüver was the group's technological expert, while Robert Rauschenberg took the artistic lead. [more]

2. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication»
In regard to telecommunications projects from the late 1970s onward, Robert Adrian X allocates particular significance to E.A.T. (Experiments in Art and Technology) and mail art:[22] «It was mail art, with its notion of a postal space–a flurry [more]

3. Rudolf Frieling «Form Follows Format Tensions, Museums, Media Technology, and Media Art»
settled precisely on this fault line. One of the most complex and earliest examples of this were the activities of the «Experiments in Art and Technology» association. It thrived mainly on the collaboration of engineers and artists; Billy Klüver and Robert Rauschenberg [more]

4. Rudolf Frieling «Form Follows Format Tensions, Museums, Media Technology, and Media Art»
approach of the amateur who gets hold of his software as open source on the Internet. But subsequently to Nam June Paik and E.A.T. there has been a whole new range of apparatuses invented that has either been imitated later by industrial standards or that [more]

5. Rudolf Frieling Dieter Daniels «Milestones of Media-Art»
Nam June Paik, »Exposition of Music – Electronic Television« Author: Dieter Daniels Performance/Theater Experiments in Art and Technology, »9 Evenings« Author: Rudolf Frieling Television Otto Piene/Aldo Tambellini, »Black Gate Cologne« [more]