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video: 3 Text passages
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1.  Gregor Stemmrich «Art and Cinematography»counter to Hollywood myths, satirize them, or subject them to other, sub-cultural experiences as for example in the films of Kenneth Anger and of Andy Warhol or in a different way the films of John Baldessari and of Robert Smithson (for this see contributions by [more]  |
| 2. Diedrich Diederichsen «Artists, Auteurs, and Star. On the Human Factor in the Culture Industry» question of the human factor to the ‹dominant› (Hollywood) cinema. 3. Kenneth Anger My first example would be Kenneth Anger's work, which is, chronologically, poised at the beginning of the postwar history of an ‹other› cinema, next to [more] |
| 3. Diedrich Diederichsen «Artists, Auteurs, and Star. On the Human Factor in the Culture Industry» by the need to deny all familiar, painful conditions of production by claiming that they are the fairy tales. Schnabel inverts Anger (who represents the beginning of the love-hate relationship between Hollywood and the «other cinema«). Instead of [more] |
