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1. icon: author Rudolf Frieling «Reality/Mediality Hybrid Processes Between Art and Life»
[33] In this respect, marked similarities emerged with the theatricality of 1980s video sculpture, for instance Marie-Jo Lafontaine's monumental and operatic «Les larmes d'acier.» [more]more
2. icon: author Rudolf Frieling «Form Follows Format Tensions, Museums, Media Technology, and Media Art»
in the wake of MTV in the 1980s. Monumental installations by Fabrizio Plessi, «Tempo Liquido» (1993), or Marie-Jo Lafontaine, «Les larmes d'acier» (1987), used powerful arts of visual seduction deploying the arsenal of postmodern [more]more