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absolute film: 1 Text passage
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1. Heike Helfert «Technological Constructions of Space-Time
Aspects of Perception» la Raison,» already made in 1923 on the occasion of the «Soirée Dada du Coeur à Barbe,» Man Ray strew spices, needles, thumb-tacks onto the negative, exposed it and set his «Rayograms» in motion.[11] This [more] |