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1. icon: author Rudolf Frieling «Reality/Mediality Hybrid Processes Between Art and Life»
artists like Martha Rosler, Ulrike Rosenbach, Valie Export and Joan Jonas,[54] the new medium of video, as yet unfettered by the constraints of [more]more
2. icon: author Inke Arns «Social Technologies Deconstruction, subversion, and the utopia of democratic communication»
«Die neue leibhaftige Zeichensprache» (1975) restricts the female body to reduced, almost minimalist symbols. Martha Rosler's video «Semiotics of the Kitchen» (1975) is a feminist reflection on diet and food preparation and also the [more]more
3. icon: author Rudolf Frieling «Form Follows Format Tensions, Museums, Media Technology, and Media Art»
and minimizes the social negativity that was the matrix for the early uses of video.»[42] What Martha Rosler was claiming with a certain degree of bitterness as early as 1986 can probably not be established ahistorically as inherent in [more]more