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Willie Boy Walker: 2 Text passages
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1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»quality in order to deconstruct notions of (creative) authorship and the autonomy of works of art. In this way, the artist Sherrie Levine ‹appropriated› [21] icons from artistic photography simply by taking her own photographs of them (e.g. in the [more]  |
| 2. Jens Schröter «Archive—post/photographic» a part of the archive and therefore (necessarily) aims to and must swirl up the sedimented order of the same: the avant-garde. Sherrie Levine, who attracted particular attention at the beginning of the 1980s and was soon regarded as the most important representative [more] |
