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video: 2 Text passages
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1.  Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life»lasted the length of the tape— either thirty or sixty minutes. They were Minimalist and Conceptual anti-events that Andy Warhol had tried out in his own way as cinematic real-time concepts, for instance in «Sleep» (1964): The event was [more]  |
| 2. Heike Helfert «Technological Constructions of Space-Time
Aspects of Perception» while the subjective time experience of the observer and the media perception itself move to the center of attention.[21] Andy Warhol deals just as rigorously with the relationship between cinema, time and cinematic conventions. Many of his films are [more] |
