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sound art: 6 Text passages
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1.  Söke Dinkla «Virtual Narrations
From the crisis of storytelling to new narration as mental potentiality»Name of the Rose,» but also in the Minitel writing project conceived by Jean-François Lyotard for the «Les Immatériaux» exhibition that took place in 1985 at the Centre Georges Pompidou in Paris.[18] Discursive fields While these projects [more]  |
| 2. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication» [27] In 1985, Jean-François Lyotard mounted the immensely important exhibition «Les Immatériaux» at the Centre Pompidou, Paris. Cf. Jean-François Lyotard et al., Immaterialität und Postmoderne, Berlin, 1985. [more] |
| 3. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication» Norman White's «Hearsay» (1984), the collaborative Minitel writing project staged for the exhibition «Les Immatériaux» (1985), John Cage's «The First Meeting of the Satie Society» (1986), the «Planetary [more] |
| 4. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication» project was online twenty-four hours daily. Another computer-assisted collaborative writing project took place for the «Les Immatériaux» show curated by Jean-François Lyotard at the Centre Georges Pompidou in Paris in 1985. Jacques Derrida, Michel [more] |
| 5. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» impressively in quotations with elements of television and of art history. In contrast with the ephemeral quality of «Les Immatériaux,» as the famous 1985 exhibition in Paris by the postmodern theoretician Jean-François Lyotard was called[37], [more] |
| 6. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» 1983, showed items like the Teletext project by Roy Ascott and others called «La plissure du texte.» «Les Immatériaux»[48] presented a collective, interlinked writing project called «Épreuves d'écriture» in [more] |
