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absolute film: 1 Text passage
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1.  Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication»images all over the exhibition space («Welcome to Security Land,» 1995). Harun Farockis video piece «Ich glaubte, Gefangene zu sehen» (2000) focuses on surveillance technologies in American high-security prisons.[55] Some artists have been creatively [more]  |
