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1. icon: author Dieter Daniels «Media → Art / Art → Media Forerunners of media art in the first half of the twentieth century»
ideologies as the Russian Revolution and German and Italian Fascism. Walter Benjamin's epoch-making 1936 essay «The Work of Art in the Age of Mechanical Reproduction»[3]also addresses the social and political ineffectuality of the avant-garde and for the first time provides an [more]more
2. icon: author Heike Helfert «Technological Constructions of Space-Time Aspects of Perception»
not have developed without fundamental technological preconditions. Walter Benjamin already emphasized in his essay on «The Work of Art in the Age of Technical Reproduction»[1] the interlinking connections between new technologies and new art forms and the resultant formation of patterns of [more]more
3. icon: author Rudolf Frieling «Form Follows Format Tensions, Museums, Media Technology, and Media Art»
of the auratic original and the self-contained work–often described, beginning Walter Benjamin's famous essay «The Work of Art in the Age of Mechanical Reproduction»[19]–shook the foundations of the art market and art history. It has also become clear that an anti-institutional impetus and [more]more