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1. icon: author Ivone Margulies «Toward a Corporeal Cinema: Theatricality in the \'70s»
1963), or a reality such as the Empire State Building («Empire» 1964), ridden with prior representations, his exaggerated focus always tips representation from its figurative to its [more]more
2. icon: author Ivone Margulies «Toward a Corporeal Cinema: Theatricality in the \'70s»
of events on screen and the extended duration of a single image or event can forestall unidirectional apprehension. «Empire,» with its single image and extended duration, as much as «The Chelsea Girls,» with its screening of two [more]more
3. icon: author John Miller «No More Boring Art»
system rests on contact between photons emitted by the subject and the photographic plate. Andy Warhol’s films «Empire,» «Sleep,» «Eat» and «Blowjob» all seemingly guarantee that this contact remains [more]more