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1.  Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»two examples: Weibel's 1969 «The Endless Sandwich» gets the ultimate couch potato to stand up, and in «Facing a Family» Export makes the television image into a mirror for the family in 1971. Also in 1971, David Hall's poetic «7 [more]  |
| 2. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» [25] Cf. the works by Peter Weibel («The Endless Sandwich» and «TV-News») and Valie Export («Facing a Family»). [more] |
