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Cybernetic Serendipity (1968): 2 Text passages
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1.  Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life»which existed from around 1957 to 1972, but built on the radical film experiments and written theses on the «Society of the Spectacle» that Guy Debord had been producing since the early 1950s: «The construction of situations begins on the [more]  |
| 2. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» (diversion) and the concept of dérive (drift), intended as a criticism of town planning at the time. In «La société du spectacle» (1967), Debord's two hundred and twenty-one theses analyzed the way power and sovereignty function in bourgeois [more] |
