Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers.

Search
Search results

Hits
1. icon: author Michael Wetzel «Acousmêtrie - On the Relationship between Voice and Image in the Films of Chris Marker»
of the images & the image tells the story.»[4] Chris Marker himself is often quoted with a remark from «Sans soleil», made by the character of Yamaneko, the computer expert: images simply want to be what they are, «that is, [more]more
2. icon: author Michael Wetzel «Acousmêtrie - On the Relationship between Voice and Image in the Films of Chris Marker»
The voice between commentary and correspondence When referring to what is probably Marker's best-known film, «Sans soleil» (1983, F), discussions always focus on commentary. Marker himself published the scripts of his early films under the [more]more
3. icon: author Michael Wetzel «Acousmêtrie - On the Relationship between Voice and Image in the Films of Chris Marker»
in the names of yet others from the artificial voices appearing in the shape of Hayao Yamaneko's synthesizer in «Sans soleil» to the computerized voice in «Level Five.» For Marker, the problem of authorship in general crystallizes in [more]more
4. icon: author Michael Wetzel «Acousmêtrie - On the Relationship between Voice and Image in the Films of Chris Marker»
the utopian promise of happiness to the iconoclastic condition of its acousmatic withdrawal (as in the beginning of «Sans soleil», where a randomly edited series of images alternates with a black screen, accompanied by a voice speaking about [more]more