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Categories: Film: 2 Text passages
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1.  Tom Holert «Deserts of the Political - Michelangelo Antonioni, Robert Smithson and Michael Snow»does art/the artist behave toward the camera? There is no solution. Or is there perhaps one &? Michael Snow's «Wavelength», for instance, earns Smithson s attention: after all, this film successfully dried up the ocean into a photograph. [more]  |
| 2. Ivone Margulies «Toward a Corporeal Cinema: Theatricality in the \'70s» to brush up against his static landscape shots in «11 X 14,» and Snow's quasi-narrative mementos in «Wavelength» (1967) and «Back and Forth» (1969), are additional bodies in this economy. Narrations Akerman's [more] |
