Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers.
 
There is no image available for this work.
 


 
 

Categories: Sculpture

Keywords: Light | Material


United States
 

 Dan Flavin
«The Diagonal»

«From a recent diagram, I declared the diagonal of personal ecstasy (the diagonal of May 25, 1963), a common eight-foot strip with fluorescent light of any commercially available color. At first, I chose ‹gold.›... (I put the paired lamp and pan in position at an angle forty-five degrees above the horizontal because that seemed to be a suitable situation of resolved equilibrium but any other positioning could have been just as engaging.)»
[...]. The diagonal in its overt formal simplicity was only the installation of a dimensional or distended luminous line of a standard industrial device. Little artistic craft could be possible. [...] The diagonal, in the possible extent of its dissemination as common light repeated effulgently across anybody’s wall, had potential for becoming a modern technological fetish.»

(source: Dan Flavin, «‹...in daylight or cool white:› an autobiographical sketch,» Artforum 4, no. 4, December 1965, p. 24)