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absolute film: 2 Text passages
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1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»[17] Rosalind Krauss, «The Ministry of Fate,» in Denis Hollier (ed.), A New History of French Literature, Cambridge, MA, 1989, pp. 1000–1006. Also refer to Rosalind Krauss, «A Note on Photography and the Simulacral,» October, 31, Winter 1984, pp. 49–68. Krauss cites the «Untitled Film Stills» by Cindy Sherman as an example of copies without an original. [more]  |
| 2. «Still Picture, Moving Picture» of photography are expanded, and when transposed really do address moving pictures. I’m thinking about the works of Cindy Sherman and Jeff Wall from the 1970s and 1980s. In my opinion, all of this concerns the coming together of two, important [more] |
