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sound art: 2 Text passages
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1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»the new tools (Photoshop, Paintbox and the like) on the human body, on the human face: Bodies were deformed and hybridized (Inez van Lamsweerde), constructed (Keith Cottingham's «Fictitious Portraits» from 1992); faces were ‹folded› (Valie [more]  |
| 2. Anette Hüsch «Artistic Concepts Linked to the Transition from Analog to Digital Photography» for example, in portraits by Anthony Aziz and Sammy Cucher, or the manipulated large-format glossy images by the Dutch artist Inez van Lamsweerde: In «The Dystopia Series» (1994) by Anthony Aziz and Sammy Cucher, perfect digital retouching blatantly presents [more] |
