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sound art: 3 Text passages
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1.  Golo Föllmer «Audio Art»understanding of music, like the etherophone imitating for example a romantic espressivo style. Sound composition When Karlheinz Stockhausen produced «Studie I» in the newly equipped NWDR studio in 1953, he did not use the available musical [more]  |
| 2. Golo Föllmer «Audio Art» works. Even before Varèse allowed sound masses and surfaces to be electronically mobilized in the Philips Pavilion, Karlheinz Stockhausen treated space as a design parameter equal to pitch, volume, duration and timbre—in 1956 in his five-channel piece [more] |
| 3. Heike Helfert «Technological Constructions of Space-Time
Aspects of Perception» area, musique concrète (for example, the work of Pierre Schaeffer and Pierre Henry) is opposed to electronic music (Karlheinz Stockhausen).[35] The use of images or sounds that maintain a link to external reality is here opposed to the artistic new creation of [more] |
