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1. icon: author Rudolf Frieling «Reality/Mediality Hybrid Processes Between Art and Life»
[33] In this respect, marked similarities emerged with the theatricality of 1980s video sculpture, for instance Marie-Jo Lafontaine's monumental and operatic «Les larmes d'acier[more]more
2. icon: author Rudolf Frieling «Form Follows Format Tensions, Museums, Media Technology, and Media Art»
in the 1980s. Monumental installations by Fabrizio Plessi, «Tempo Liquido» (1993), or Marie-Jo Lafontaine, «Les larmes d'acier» (1987), used powerful arts of visual seduction deploying the arsenal of postmodern visual staging and also aiming to [more]more