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transforms the real and is not merely a universe of semblances. This nomadic science that the cartographic eye reveals to us is always only constituted of passages and becomings, momentary halts and decodable paths of energy that enable us to include the parameters of changeability and of displacement into the overview. Also, the esthetic of the fluxes is a science of multisensorial reactions that constantly confronts the human being with his extremes and his risks, the post-human as well as the infra-human. Perhaps, now more than ever, we need to set up a cultural resistance and human affirmation of the manifold inbetween worlds in the face of the disorders of existence.
Translated from French by Jane McDonald