| Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
Rebecca Horn «Berlin Exercises in Nine Pieces: Exercise 8: Cutting One’s Hair with Two Scissors at Once»
Bertolt Brecht «Lindberghflug»
Agnes Hegedüs «Between the Words»
Ulrike Rosenbach «The Image of Woman in Postwar Times»
Jochen Gerz «Pictures at an Exhibition»
Saup, Michael; William Forsythe
«Binary Ballistic Ballet»
Michael Saup, in cooperation with William Forsythe, the Artistic Director of the Frankfurt Ballet, created a stage simulation with monitors that provided computer-animated abstract terms as pictorial improvisation directions, visible only to the dancers. The dancers danced to a digital program, though the audience could not see this. Not until intermission were the latter informed of the connection between direction and performance, abstraction and concretion. The dance piece remained a computer-supported performance, a digital, i.e. binary program, that nevertheless produced no multimedia surface.
Rudolf Frieling