Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers.
Pierre Schaeffer «Études aux chemins de fer»
Pierre Schaeffer, «Études aux chemins de fer», 1948

Pierre Schaeffer «Études aux chemins de fer»Pierre Schaeffer «Études aux chemins de fer» | play audio

Categories: Audio Art

Keywords: Music

Relevant passages:

icon: authorGolo Föllmer «Audio Art»

France | Edition / Production: Distronics | piece of music

 Pierre Schaeffer
«Études aux chemins de fer»

The noise collage «Études aux chemins de fer» is seen as the first piece of music to organize noises on the basis of an entirely musical aesthetic. Its first public performance in the «Concert de bruits» radio broadcast in Paris on 5.10.1948, along with three other noise collages, marks the birth of the French «musique concrète» school, which draws its material from sounds that are concretely available, deriving specific creative rules from them in each case.

The «Études aux chemins de fer» is based on recordings that Schaeffer made at the Gare des Batignolles in Paris with the aid of six engine-drivers «improvising» according to his instructions. When working on these as a composer, Schaeffer was aiming among other things to use alienation techniques to expunge the semantic components of the noises and emphasize their musical values like rhythm, tone colour and pitch.


Golo Föllmer