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Norbert Meissner «Pentecost»
Norbert Meissner, «Pentecost», 1989
Photograph: Rudolf Frieling | © Norbert Meissner
The multiple edition of the video tape was conceived with the 8 video formats customary at the time of production, from analog to digital, from amateur to professional standard:: VHS/S-VHS C, U-Matic LB/HB, Hi-8, Betacam SP, M II, 1-inch C, and D 1. The signing of the objects, the video cassettes, ironically refers to an artistic act that has become obsolete not only in the age of technical reproduction, but also and especially in the face of the variety of electronic formats.


 
Norbert Meissner «Pentecost»Norbert Meissner «Pentecost»Norbert Meissner «Pentecost» | play video

Categories: Video

Keywords: Material | Object

Works by Norbert Meissner:

Filmfax


7'
 

 Norbert Meissner
«Pentecost»

Walking a thematic tightrope, Norbert Meissner here puts media technology to the test. The universal event of pentecost is the moment of the highest realization: technologically, the moment of all possibilities, i.e. white noise and snow. The text spoken by a TV announcer tries to create a hierarchy, but it is constantly disturbed, subverted, and displaced by electronic image distortions and fade-ins and fade-outs of multilingual versions of the text and of signal terms in various alphabets. A work to be read with differentiation on truth, sublimity, and the media.