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Dan Graham «Time Delay Room» | «Time Delay Room 6»
Dan Graham, «Time Delay Room», 1974
«Time Delay Room 6» | ©
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Time Delay Room 6 Audience A sees audience B on monitor l, which also shows them the view of 8 seconds earlier, seen by audience B on their monitor. Audience A cannot see itself on a present time monitor. It hears the performer's live description of its behavior 8 seconds before seeing it. Audience B sees audience A with 8 seconds delay on monitor l, and sees audi-ence A's monitor view of them, audience B, 8 seconds delayed. Audience B cannot see itself on a present time monitor. Audience B hears the performer's live description of its behavior 8 seconds before seeing it. Audience A also hears and responds to this. Audience B hears how it is affected by the response of audience A and of the performer. An audience (A or B) first sees itself as it is seen and described by the performer. Secondly, later in time and delayed by 8 seconds, it sees itself when it is seen by the other audience. The performer, seeing both audiences live, alternates between describing one or the other's behavioral reactions. He follows this by describing how audience A affects audience B and vice versa and how the performer affects audience A and audience B. Relations and effects, described by the performer, anticipate the audiences' experience of the connections. Nova Scotia 1979

 Dan Graham
«Time Delay Room»

This closed-circuit installation was varied by Dan Graham six times following the same structural set-up as described below:
«Two rooms of equal size, connected by an opening at one side, under surveillance by two video cameras positioned at the connecting point between the two rooms. The front inside wall of each features two video screens - within the scope of the surveillance cameras. The monitor which the visitor coming out of the other room spies first shows the live behavior of the people in the respective other room. In both rooms, the second screen shows an image of the behavior of the viewers in the respectively other room - but with an eight second delay.
The time-lag of eight seconds is the outer limit of the neurophysiological short-term memory that forms an immediate part of our present perception and affects this «from within». If you see your behavior eight seconds ago presented on a video monitor «from outside» you will probably therefore not recognize the distance in time but tend to identify your current perception and current behavior with the state eight seconds earlier. Since this leads to inconsistent impressions which you then respond to, you get caught up in a feedback loop. You feel trapped in a state of observation, in which your self-observation is subject to some outside visible control. In this manner, you as the viewer experience yourself as part of a social group of observed observers [instead of, as in the traditional view of art, standing arrested in individual contemplation before an auratic object].

(Gregor Stemmrich, «Dan Graham,» in Thomas Y. Levin, Ursula Frohne, Peter Weibel (eds.), CTRL[SPACE]. Rhetorics of Surveillance from Bentham to Big Brother, ZKM | Center for Art and Media, Karlsruhe, 2001, The MIT Press, Cambridge, MA, London, 2002, p. 68.)