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Karlheinz Stockhausen «Spherical Concert Hall» | Kugelauditiorium5
Karlheinz Stockhausen, «Spherical Concert Hall», 1970
Kugelauditiorium5 | Photography | © Karlheinz Stockhausen
Musik..., verwandelt. Das Elektronische Studio der TU Berlin 1953-1995, hg. von Frank Gertich, Julia Gerlach und Golo Föllmer, Hofheim 1996.

Karlheinz Stockhausen «Spherical Concert Hall» | KugelauditioriumKarlheinz Stockhausen «Spherical Concert Hall» | Kugelauditiorium5Karlheinz Stockhausen «Spherical Concert Hall» | Kugelauditorium2Karlheinz Stockhausen «Spherical Concert Hall» | Kugelauditorium3Karlheinz Stockhausen «Spherical Concert Hall» | Kugelauditorium4
Osaka | Japan | sound performance

 Karlheinz Stockhausen
«Spherical Concert Hall»

For the 1970 World Expo in Osaka in 1970, Germany built the world's first, and so far only, spherical concert hall. It was based on artistic concepts by Karlheinz Stockhausen and an audio-technical concept from the Electronic Studio at the Technical University in Berlin. The audience sat on a sound-permeable grid just below the centre of the sphere, 50 groups of loudspeakers arranged all around reproduced, fully in three dimensions, electro-acoustic sound compositions that had been specially commissioned or adapted for this unique space. Works by composers including Bernd Alois Zimmermann and Boris Blacher were played from the multi-track tape, along with Bach and Beethoven. In the course of the 180-day exhibition, Stockhausen and a high-calibre, 19-strong ensemble gave live concerts for over a million visitors; «Spiral,» for a soloist and short-wave receiver was played over 1300 times, for example. It was possible to achieve the three-dimensional sound distribution live, using a spherical sensor built in Berlin to feed the 50 sound sources, but a ten-channel rotary mill constructed to Stockhausen's design was deployed more frequently.


Golo Föllmer