| Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
Keywords: Interaction | Aggression | Intermedia
Relevant passages:
Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life»
Works by Peter Weibel:
Audience Exhibited
Observation of the Observation: Uncertainty Cartesianisches Chaos Trampling on the Law The Tangible Image The Theorem of Identity The Theorem of the Identity Tritity The Dream of Everyone Having the Same Consciousness The Wall, the Curtain (Border, the) technical terminology also: Lascaux Epistemic Videology (I + II) Imaginary Water Sculpture Intervals Crucifixion of the Identity Simultaneous Split Medium Synthesis The Endless Sandwich TV Aquarium (TV Death I) TV-News (TV Death 2) Video Texte Time Blood
Peter Weibel «The Wall, the Curtain (Border, the) technical terminology also: Lascaux» Peter Weibel «The Tangible Image» Peter Weibel «The Dream of Everyone Having the Same Consciousness» Peter Weibel «The Theorem of the Identity Tritity»
Peter Weibel
«Action lecture»
The amount of noise produced by the audience controls not only the projection of several films, but also a magnetophone, a spotlight, and a record player. If the audience is loud enough, the spotlight lights up and the magnetophone and projectors are automatically started via a light-dependent resistor. However, the spotlight dims the light of the screen, and the noise made by the audience drowns the sound of the magnetophone. A wave of interaction is thus produced between stage and audience.
