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Relevant passages:
Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life»
Works by Nam June Paik:
Action with a violin on a string (staged during «Exposition of Music – Electronic Television»)
Baroque Laser Buddha German Pavilion: Marco Polo documenta-performance Electronic Art II Etude for Piano Exposition of Music – Electronic Television Global Groove Good Morning, Mr. Orwell Hommage à John Cage: Music for Tape Recorder and Piano I-Ching/Et-Ching Kuba-TV Magnet TV Mayor Lindsay McLuhan Caged (in Electronic Art II) One for Violin Solo Participation TV performance in the Ramsbott home Random Access Music: Exposition of Music – Electronic Television Schallplatten-Schaschlik: Exposition of Music – Electronic Television Simple As Boring As Possible Traitor, you left fluxus (Postcard to Nam June Paik) Triangle tv with microphone TV Set for your Mind TV Story Board TV-Buddha TV-Garden Primitive Music Video-Tape Monthly Magazine Wrap around the World Yellow Peril ! Zen for Film Zen for Head
Paik, Nam June; Moorman, Charlotte «TV-Bra for Living Sculpture» Bruce Nauman «Video Surveillance Piece: Public Room, Private Room» Paik, Nam June; Yalkut, Jud «Video Synthesizer and ‘TV-Cello’ Collectibles» Arndt, Olaf; Moonen, Rob «Camera Silens» Walter Ruttmann «Light-Play Opus I»
Nam June Paik
«Robot K-456»
Nam June Paik here deploys his new 'Robot K-456', history's first non-human action artist. About the robot, which he built in Japan, Paik wrote: 'It was more difficult and more expensive than my Wuppertal show', by which he meant 'Exposition of Music – Electronic Television', the exhibition likewise staged in the 'Galerie Parnass' in 1963. The robot was purpose-built for street actions, in which it was supposed to mingle – more or less inconspicuously – with bypassers, as Paik recounts: 'I imagined it would meet people on the street and give them a split-second surprise. Like a sudden shower.'
