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Categories: Photography
Keywords: Cyborg | Body | Gender | Perception
Relevant passages:
Works by Mariko Mori:
Check as well:
Inez van Lamsweerde
Lynn Hershman Markus Käch Aziz, Anthony; Cucher, Sammy (Aziz/Cucher) Alba D'Urbano Markus Käch «Pathologien medialer Konstitutionstypen» Aziz, Anthony; Cucher, Sammy «Faith, Honor and Beauty» Alba D'Urbano «Hautnah» Inez van Lamsweerde «Final Fantasy» Inez van Lamsweerde «The Forest»
Sommerer/Mignonneau «A-Volve» Myron Krueger «Videoplace» Le Corbusier; Iannis Xenakis; Edgard Varèse «Poème électronique: Philips Pavilion» ubermorgen.com «[V]ote Auction» Samuel Beckett «Quad I + II»
Mariko Mori
«Play with Me»
In 1994 Mori created a series of photographies like «Play with Me,» «Tea Ceremony,» «Love Hotel,» «Red Light» or «Subway,» in which she envisioned herself as a post-human cyborg girl, a stranger that seemed to have leeped into real life from a manga comic or a video game thereby creating an irritation about the future. The works from this period are questioning the cyborg phantasies from Japanese animes and traditional female roles.
Yvonne Volkart
